Please respect copyright notice

Copyright Ethics

 

The ethical issues surrounding the nature of intellectual property, the public policy debate over fair use of copyrighted materials in original work is again under the spotlight with the SA Copyright Amendment Bill where in the legislation’s “fair-use” framework seemingly allows for the expropriation of intellectual property without compensation.

 

While the EU looks to uphold the rights of its content creators, SA seems determined to weaken them.

 

This neglect is especially striking since copyright ethics are at stake in so many aspects of an artists’ life: the copying of art from online resources suggests that questions about copyright ethics may arise regularly.

The ethical quandaries surrounding fair use will not be resolved by appealing to well known principles of property rights. One reason for this is that copying involves an act of labour which, one might allege, creates property in the copy. Unlike the act of labour involved in theft, copying does not, in any obvious way, involve the removal of someone else’s property or the violation of their privacy.

 

What constitutes copyright in South Africa and how can it be protected?

 

The Copyright Act does not require registration in order to acquire copyright in respect of a particular work. Instead copyright subsists automatically once a work has been completed, provided that certain requirements are met.

 

According to  As long as the work is original (the work does not have to be inventive as such but must have been created as a result of the author’s own original labour and skill). Read full article here.

(Article source: ) In South Africa, the owner of copyright in a work is by statute given the exclusive right to perform certain specified acts in respect of his or her work or to authorise others to do so and hence to prevent unauthorised persons from performing those acts. Only certain specified categories of works defined in the Copyright Act No. 98 of 1978 are eligible for copyright protection.

 i.e.

  • artistic works irrespective of their artistic quality:
    ‘artistic works’ include: paintings, sculptures, drawings, engravings and photographs; works of architecture, being either buildings or models of buildings; and works of craftsmanship; and ‘drawing’ includes any drawing of a technical nature or any diagram, map, chart or plan.

 

Through the looking glass

Through the looking glass

Peering through leaves

Visualize a shimmering landscape as background with bright, sharp and crisp objects, in the foreground. Visualize the colours, visualize the mood, then mix your colours accordingly. In this demonstration of a fun technique I am opting for white, yellow, a soft purple, a bit of pink, and some grey – all acrylic. In the foreground I am seeing leaves in bright winter plum – it is winter now, I am surrounded by these colours at the moment. So I am mixing a bit of pink, plum, grey and of course, a lot of white. I always need a lot of white.

This is how our background emerged

mesmerizing

It somehow created itself!

Looks easy, does it not?

Start by mixing your paint 

Using acrylic and oil. Acrylic for the background, oil for the detail.

U can use oil on a thin layer of acryclic, yes. Keep the layer thin though, a thick layer may crack over time. Of course, you will have to wait for the acrylic to dry before slapping on any oil!

To create the background I will use a piece of carton to drag the paint over the canvas. Drag the carton at an angle of 45 degrees for a soft smudge. Dragging it upright will scrape your paint right off the canvas which is okay if that is what you want!

Scoop the desired colour onto the carton, then softly, smoohtly drag it over the canvas. You can, by holding the carton upright, create sharper lines. Experiment a little…

The result of this technique is often suprising!

To help you visualize the leaves, u can either use templates to trace or simply make a few drawings. In this demonstration I used templates made from paper cuttings. Once traced, remove the templates.

All hands on deck removing the templates!

Once dry, you can add your detailed foreground.

I love using a wider brush. I find it easier to tilt it this way or that. Which way depends entirely on the colour I added to whichever end of the brush.

Of course, practise makes perfect!

See my site!

My website, published more or less a month ago, is still standing strong and growing daily. Keep an eye on this space…

CLASSES

In my classes we go on exciting, magical journeys…

Classes for children take place on Wednesdays and Thursdays from 14:00-16:00 and adult classes on Wednesdays and Thursdays from 10:00-12:00 in my studio in Bethlehem.

Studio address: 7A Bruwer Street, Bethlehem

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