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Lynette Schuld
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The Fallen Clown

May 18, 2019 | Donation

The Fallen Clown is spesiaal geskilder en geskenk vir Bethlehem Kindersorg ter insameling van fondse vir die instansie op 4 Desember 2010.

Synde daar fantasie in die opvoering, drama, teater, en dekor-atmosfeer sou wees die aand, het ek gedink die ballerina-nar-figuurtjie sou daardie element goed vasvang. Boonop is kinders lief vir narre want hulle simboliseer  geluk, blydskap, en vreugde, maar in hierdie geval is dit hartseer, ‘n gevalle nar wat nie meer alleen kan voortgaan nie.  Daar is dus ‘n groot behoefte na hulp en hoop, iets waarmee hierdie kinders kan vereenselwig. Dan is daar hulp in die wit hande wat optel en die nar weer op haar voete plaas. Soms is hierdie hulp tydelik, soms permanent. Die hande is wit omdat wit rein en opregte bedoelings simboliseer. Daardie wit hande wat  jou ondersteun en help, kan jou weer op die pad van lig plaas, daarom ook die wit balletskoentjies aan haar voete.  Die wit hande wat help, simboliseer die lig in jou lewe, daarom skyn daar ook lig deur die kantgordyntjie agter die nar, waarvan sy nie eens bewus is nie. Mens hoef nie altyd te weet wie die samaritaan is wat hulp aanbied nie, daarom het ek n onbekende verskuilde figuur agter haar ingeverf. Die ondersteuning en hulp is baie belangriker as wie dit verskaf.

Die simboliek in die kleure wat ek gebruik het, is soos volg;  die swart in die skildery verteenwoordig die onbekende pyn  en duisternis wat van hierdie kinders soms moet deurmaak. Die donker pers verteenwoordig die hartseer daaraan verbonde. Die effense  groen in die agtergrond, links onder,  bied daardie nodige balans, sekuriteit, en gerustheid aan ‘n gebroke wese se lewe. Ek sou graag baie meer groen daarin wou verf!  Die wit simboliseer redding, DIE LIG. Laastens het ek baie rooi ingebring wat krag uitbeeld.  Rooi  is ‘n sterk treffende kleur wat mens maklik raaksien.  Daarom moet ons die noodbehoewende aspek by kinders dadelik raaksien en nie ignoreer nie. Rooi is liefde en kragtig, daarom moet ons daadwerklik optree uit die liefde van die saak!

Is daar nie maar ook tye waar ons elkeen HULP nodig het nie?

Dit was vir my ‘n groot voorreg  om hierdie skildery te verf! Geniet hierdie besonderse skildery, daar is baie meer daarin as wat jy dink.

‘n Gepaste naam vir die skildery is dus THE FALLEN CLOWN.

Santam Art Competition

May 4, 2019 | Competitions

i Spy

Entries now open

The Child Art project is one of South Africa’s oldest social investments projects and was started in 1963 to develop the notion that art is a valuable aspect of human development. Although the project is aimed at promoting a love of art among youth, it also provides them with an opportunity to express thoughts and ideas creatively.

Tersia Mdunge, corporate social investment manager, says the uniqueness and creativity astounds her every year.

Through the years the Santam project has developed into a nationally recognised initiative that now incorporates a national art competition, an online exhibition of selected artworks, an art calendar, as well as informal art centres at schools around the country. In an active effort to fulfil the need for art education in disadvantaged communities, Santam has joined forces with the Ibhabhathane Project to present arts and culture teacher workshops. We also offer free art classes to children from these communities.

CLOSING DATE FOR ENTRIES: 30 JUNE 2019

ENQUIRIES
Cherie Josephs
cherie.josephs@santam.co.za
Tel: 021 915 7535

Download Entry Form Here

Eisteddfod 2019

May 4, 2019 | Competitions

Young Artist Awards 2019

The National Eisteddfod of South Africa® presents opportunities to young South African talent in all communities for participation and showcasing their talents in music, dance, theatre and fine arts.

The annual National Eisteddfod of South Africa® is presented in various regions during August – October.  Regional National Eisteddfod events consists of adjudicated sessions where any performers can participate in the following categories:

  • Speech and drama
  • Dance
  • Classical and crossover music (vocal and instrumental)
  • Contemporary music (vocal and instrumental)
  • Fine art
  • Learners with different abilities

 

Young Artist Award Competition

The Young Artist Award Competition, launched in 2013 provides an opportunity for top achievers in the Creative Arts.

Adjudication: 

A panel of adjudicators will adjudicate all art entries according to the school grade of participants. All participants will receive feedback and a certificate to confirm that they have participated in this competition.

The adjudicators will select the best art work in each grade and will then select a winner in each of the following categories: Entry Level (Gr. 0 – 3), Junior (Gr. 4 – 7) & Senior (Grade 8 – Open Section).

Young Artist Award -Competition – Entry Forms and how to enter

Entry Fees and Closing date for entries

Rules and Regulations for the 7th Young Artist Award Competition

All artwork need to be submitted to the NEA office by 12 April 2019.

2019 National Arts Festival

May 4, 2019 | art festival

The 45th National Arts Festival will take place in Grahamstown from 27 June to 7 July 2019.

The dizzying rotation of newsfeeds, non-stop change and the struggle for something newer, more connected and as yet unborn, is played out in the works on the National Arts Festival’s 2019 Main Programme, which is selectively curated by the Festival and its Artistic Committee.

Held in Makhanda (formerly Grahamstown) from 27 June-7 July this year, the Main programme forms part of a much broader offering of uncurated, unsolicited works and multiple focus areas for discussion and experience. It is a richly stimulating and thought-provoking journey through some of the issues at the top of artists’ minds and makes for a deep dive into what South Africa is grappling with and can reimagine if it has the will.

  • A PDF of the Main Programme is available to view or download here. Full bookings open 7 May.

Core to the mood of the 2019 programme is a desire to reflect on identity. From the rich celebrations of indigenous African music and dance to reworkings of classical and contemporary pieces, there is a desire to explore culture and connection, land and belonging. As if a talisman for this journey, 2019 Standard Bank Young Artist for Dance Kitty Phetla has collaborated with 2015 Standard Bank Young Artist for Jazz Nduduzo Makhathini in GOING BACK TO THE TRUTH OF SPACE (Dance), a submersion into ritual and a struggle for restoration that also merges the talents of two artists who are separate but connected through intention.

The louder voice of Afro-centric and Afro-celebrant themes is echoed on through numerous works such as Jefferson Bobs Tshabala’s EKASI LAM – AN ODE TO KWAITO, UN-OWED TO KWAITO (Theatre), which takes the audience into the heart of township life, and AMAWETHU (Dance) that challenges slave-era stereotypes of traditional African spirituality as demonic and asks that we reconnect with our true culture.

Nowhere is this growing affirmation of African culture and identity louder than on the music programme, which is filled with music from the African continent and a blending, remixing and repurposing of Western, contemporary or classical music into this landscape. From INGOMA KA TIYO SOGA, a collaborative exploration of the 160-year-old works of intellectual, composer and evangelist Tiyo Soga by visual artist Sikhumbuzo Makandula and singer/songwriter Mthwakazi to EASTERN CAPE DIVAS with Afro-acoustic, indie-folk singer Nombasa Maqoko and jazz/performing artist Titi Luzipho.

The Divas are joined by the Kwantu Choir, a combination of Rhodes students and the voices of the residents of Makhanda’s Rhini and Joza townships. The Eastern Cape Philharmonic Orchestra will present the GALA CONCERT and the SYMPHONY CONCERT. Also among those taking to the stage are South Africa’s globally recognised performers LADYSMITH BLACK MAMBAZO, THE DRAKENSBERG BOYS CHOIR, MAFIKIZOLO, the SPRINGBOK NUDE GIRLS and FRESHLYGROUND, to name but a few.

Moving to finding the humour in our very unique circumstances, South African comedians will sound out our nation’s psyche in THE VERY BIG COMEDY SHOW, hosted by Rob van Vuuren and featuring Loyiso Madinga, Tats Nkonzo, Mojak Lehoko and more.

CONTINUING CONVERSATIONS (Visual Art) challenges notions of who sees art and where, and considers the juxtaposition of power and powerlessness, identity and body politics, perceptions of the other and the exotic, memory, and the masks we wear. The exhibition is made up of about 40 works that have been selected from the extensive collections of the University of Johannesburg and MTN. Artists on show include Gerard Bhengu, Reshada Crouse, Wilma Cruise, Phillemon Hlungwani, Maggie Laubser, Judith Mason, George Pemba, Cecil Skotnes, Irma Sternand Edoardo Villa.

Featured Artist 2019, Berni Searle will bring a number of works to the Festival as part of this spotlight on the career of an extraordinary South African artist.

The contemplative and emotive voices of our storytellers resonate throughout the programme with personal stories of pain and resilience. From 2019 Standard Bank Young Artist for Theatre Amy Jeptha’s haunting time-travelling journey into the memory of displacement and the restitution in ALL WHO PASS (Theatre) to a story of searing grief and silence through two characters in Gopala Davies’s MOONLESS (Theatre). Former Standard Bank Young Artist for Theatre (2018) Jemma Kahn takes it left-field as a scientist befriends a virus in CELLIST WITH RABIES (Theatre).

Literature, history and iconic people have caught the imagination of many artists as they tackle some of the big themes these events and visionaries have given us: from Magnet Theatre G7’s raw and emotional retelling of the country’s excavation of secrets at the Truth and Reconciliation Commission in OKWE-BOKHWE (Theatre) to ANGOLA/CAMP 13 (Theatre), a brave and unflinching look at the abuses of power and human rights within the heady times of Umkhonto weSizwe’s training camps, written by Sello Maseko.

Artists on the Arena explore the works of Kafka in UJ’s play METAMORPHOSIS and timeless playwright Zakes Mda’s THE MOTHER OF ALL EATING with Nhlanhla Mkhwanazi and Luntu Masiza. Mda also inspired award-winning playwright and director Thembela Mdliki’s new play, WHERE SHE WALKED.

Brett Bailey’s much-anticipated SAMSON (Theatre) puts the biblical story of Samson through a sensational treatment, bringing it into the 21st Century to explore the global underbelly of political extremism, inequality and violence.

The continuing merging and blending of genres and the growing influence and creative possibility of technology is evident through an exciting streak of productions running through the programme,some of which form part of the Creativate Digital Arts Festival, which runs throughout the Festival this year.

DEURnis/UZWELO (Theatre) is a highly experiential piece of theatre between one audience member and one actor. Audience members spend 20 minutes in each room of the piece for a total of 100 minutes of immersion. SWARM THEORY is a playful investigation into the possibility of a collective human intelligence and will take place as public art on the streets of Makhanda.

The old Power Station will be utilised for ARCADE (Performance Art), a durational, live-art performance curated by Gavin Krastin that sees audiences interacting with the performances as they happen. UK creative company Curious Directive brings FROGMAN (Performance Art) to the Festival, a coming-of-age thriller within a 360 degree virtual reality environment that will take audiences into a new era of theatre.

South African born Mira Calix returns to the country to present IN SITU (Music). Calix sees music and sound as sculptural material and, in this work composed of two pieces, uses data to inform musical composition.

Among other international contributors to the Festival are:

  • Irish comic Dylan Moran, who holds the Festival’s record for selling out his show in the fastest time. He returns to town with a new work, DR COSMOS (Comedy). Described as a comedic Oscar Wilde, his acerbic wit will be a tonic for many of us. I AM SOMEBODY (Performance Art) by Swedish company Sirqus Alfon is a “high octane, electro clown ride through a bizarre post-internet world”.
  • American actor and playwright Stephen Fales brings CONFESSIONS OF A MORMON BOY (Theatre) to the Festival. Inspired by his own true story, it follows the experience of a sixth generation Mormon who is excommunicated from the church when he comes out as gay. Sexuality and acceptance is also in the spotlight in PINK MONEY (Dance), a collaboration between Swiss, Dutch and South African artists. Both of these works will resonate with the exciting new South African voice at #NAF2019 —the winner of the Distell National Playwright Competition, Koleka Putuma, who will interrogate structures and beliefs through her first adventure into playwrighting in NO EASTER SUNDAY FOR QUEERS (Theatre). 
  • German-Chinese choreographer Hannah Ma explores rituals that transcend cultural boundaries in WANDERER (Dance) and also brings a light-hearted, poetic interpretation of the ballet Les Sylphides in SYLPHIDES to the Main dance programme. Nigerian dancer, choreographer and activist Qudus Onikeku presents SPIRIT CHILD, another piece inspired by a literary work — this time Ben Okri’s classic,The Famished Road.

The Main Curated Film Programme, selected by Katarina Hedrén, is a journey across time and place. Many of the films on offer are African in both content and origin but otherwise tackle multiple ideas and stories. A series of musical documentaries include a fascinating look at the life of Afrobeat creator Fela Kuti in FINDING FELA (2014) and GIMME SHELTER (1970),labelled ‘the best rock film ever made’, Classical fans will enjoy contemporary films of the exquisite productions of FAUST and THE TAMING OF THE SHREW from the Royal Opera House Collection. The first ever SARAH BAARTMAN FILM FESTIVAL will host workshops conducted by filmmakers from 1-5 July and the young residents of Makhanda will enjoy the NOLUTHANDO BIOSCOPE – showing current favourite films for small people.

The Student Theatre Programme again creates a space for the critical outputs of student theatre makers with a strong offering from several South African institutions and private colleges.

Acting Executive Producer of the National Arts Festival Nobesuthu Rayi says: “I would venture that Festival-goers are going to be challenged, amused and inspired by this year’s programme with its many layers and textures. Many of us will find ourselves meandering between ‘then’ and ‘now’ with a combination of past reflections and the unsettling present as we try to figure out what next for humanity and the country we call home. We are proud to be presenting such a carefully selected programme with different shades and textures covering such range – from entertaining to thought-provoking – creating a holistic experience. It’s an experience I look forward to sharing with you.”

As the Festival celebrates its 45th year, one of its longest standing partners is Standard Bank. Desiree Pooe, Head of Group Sponsorships at Standard Bank, commented on the 2019 National Arts Festival: “On this 35th anniversary of our partnership with the National Arts Festival, we cannot wait to delve into and savour the delights of the 2019 offering. From the Children’s Festival to the Creativate Digital Arts Festival, the 2019 Standard Bank Young Artists’ solo productions, world-class jazz, theatre, visual arts, dance and contemporary music productions, the National Arts Festival will once again take us to a higher level. On behalf of Standard Bank, I encourage you to experience, engage, enjoy and show your #AfricanheART.”

 

 

Standard Bank Young Artist Award

May 4, 2019 | Competitions

Since its inception almost four decades ago, one national award has come to be regarded as the ultimate accolade for young South African arts innovators on the cusp of greatness.

And, as Standard Bank celebrates 35 years of sponsoring the Standard Bank Young Artist Awards in 2019, the latest list of winners proves that the creative fire that fuelled their predecessors in the 1980s burns just as fiercely in the current generation of South African arts pioneers.

The 2019 Standard Bank Young Artist recipients are Mandla Mlangeni (Jazz), Kitty Phetla (Dance), Megan-Geoffrey Prins (Music), Amy Jephta (Theatre) and Gabrielle Goliath (Visual Art).

Each of these exceptional young artists will receive a cash incentive, as well as a commission to premiere a new work or exhibit on the Main Programme of the 2019 National Arts Festival, taking place in Makhanda (Grahamstown) from 27 June to 7 July 2019.

These five young stars join a long list of illustrious SBYA alumni who have attained dizzying creative and professional heights over the years.

Since 1981, the ranks of SBYA winners have included Sibongile Khumalo, William Kentridge, Mbongeni Ngema, Pieter-Dirk Uys, Johnny Clegg, Vincent Mantsoe, Gregory Maqoma, Janice Honeyman, Helen Sebidi, Lara Foot, Darrell Roodt, Robyn Orlin, Jerry Mofokeng, Andrew Buckland, Sam Nhlengethwa and Marthinus Basson.

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Playful Kitten

A Girl in Acrylic

Please don't eat the daisies

A Girl (part three)

A Girl (part two)

A Girl (part one)

Painting the space around

Rosehip

Sleeping beagles

Roses in red ink

Colourful mugs

Dressing up

Drawing from the right side of the brain

Umbrella

Landscaping in soft pastel

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